“My furniture work blends contemporary approaches to traditional processes with a sensitivity towards material choices. With a background in craft and fine art, there is a playful approach to materiality in my work; designs often present an element of the unexpected. Subtle juxtaposition of texture and form, colour and line are all important. I am inspired by vernacular art and design as well as the coastal landscape where I grew up. The tones and textures of sand dunes, the sea, wild gorse and sea-pink wildflowers are reflected in materials such as wool felt, pale hardwoods, water-based stains and milk paints in my work.I strive to embrace holistic systems of design, production, and consumption that benefit our world environmentally, socially, and economically. Materials where possible are sustainable, locally sourced and approved by the Forest Stewardship Council.
Reflections on the course – The year 2 Furniture Design and Making Course has been a wonderful learning experience. The tutors are highly skilled, knowledgeable, patient and approachable. There is a strong emphasis on experimentation and exploration through materials. Course modules are well structured, outcome driven, and encourage innovation. For me, the course promotes an in-depth understanding of design thinking and manufacturing processes that are applicable to so many areas of design and manufacturing industries. I have considerably broadened my knowledge of design and workshop processes and have now found employment in an area where my new skills are utilized and built upon. I would strongly recommend the course to anyone interested in exploring their creativity through a wide range of materials and processes.”